Reviews
37,605
- Absolutely right. That's a remarkable review..
- So... what's the plot? That he's a threat is a static statement. Loglines should be *dynamic* statements. PROtagonists need to be PROactive. I pose a threat to a dandelion I see in my yard. What's my course of action? What specifically am I going to…
- "Killerborn"--I had to google the term. Still not sure what it means as a defining characteristic of your protagonist. OK, so stipulated that I'm clueless, out of touch with the vibe, current pop culture. But... are you certain that anyone and everyone who reads that…
- Would you please clarify "socially deprived". Is he a socially awkward introvert/recluse? Or is he deprived because he lives in an isolated location. Or,,,? And does he do more than just film his personal investigation? Does he post it online, at a social networking site…
- A socially deprived, true crime obsessed man becomes infatuated with a Jane Doe case, and documents his pathetic attempt at inserting himself in her story by solving the case. Great main character in that he has both a flaw and an obsessive drive. The major…
- My SOP is not to read plot summaries accompanying a logline. Why? Because the logline has to stand on its own. It must clearly and succinctly state who the protagonist is, the objective goal, the antagonist (or obstacle) and what's at stake. It must hook…
- >>> forcing a violent reckoning with the past that created them. What does that entail? That is, when they discover they are pawns in someone else's game, what exactly do they do about? What becomes *their* game plan? What becomes *their* concrete objective goal?
- It's a good story but familiar. Can you incorporate a fresh angle?
- >>>risking everything to change the course of history What does "change the course" of history *look* like on a movie screen? IOW: what is the specific, concrete, objective goal he wants to accomplish?
- I'm sorry, but that is the absolute worst critique and interpretation I have encountered.