A promising young writer finds her perfect story in a guy who struggles to find some sense in his own life, she will have to decide who gets the happy ending: her career or herself.

When an ambitious young journalist is tasked to investigate a reluctant hero, she discovers secrets that could destroy his new fame. Having fallen in love with him, she struggles between saving her career and destroy him, or losing her dream job and keeping him.

>>She doesn't really have a flaw...

If she's human, then by definition, she is flawed.

A protagonist encumbered with a character flaw is well-nigh a requirement in modern dramaturgy. If there is no flaw, then there is no base line for a meaningful and interesting character arc.

In modern dramatic theory, character flaws are supposed to enable the audience to identify and sympathize with the protagonist. The idea being: how can real people, riddled with flaws, identify with a fictional character who doesn't really have a flaw?

Just saying.

"A budding journalist intern finds her breakout story in a lonely yet compassionate waiter but when she develops real feelings for him, she'll have to choose between the story of a lifetime or their budding romance.? I thought of this earlier.
She doesn't really have a flaw, she's just human. She can't have both and must decide.