Tired of being called crazy, a mother haunted by the ghost of her child stumbles into a sinister form of therapy from a group of deranged women.

The logline sets up a situation with potential for interesting dramatic conflict, but it doesn't tell us where the story is going. It doesn't answer one of the fundamental questions of a logline: What is the main character's objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?

And a logline should also answer the question: who opposes her -- who is the antagonist? And the question: what's at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?

The logline sets up a situation with potential for interesting dramatic conflict, but it doesn't tell us where the story is going. It doesn't answer one of the fundamental questions of a logline: What is the main character's objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?

And a logline should also answer the question: who opposes her -- who is the antagonist? And the question: what's at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?

Tormented by the ghost of her child, a young woman seeks solace from a dangerous source: ____

I feel like I want one more shaping fact to get a more definite picture of the story.