Robb Ross
Samurai · 1,895 points
- 0 loglines
- 123 reviews
No loglines yet.
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Okay, with such a remote location, the state isn't necessary.While it still doesn't intrigue me, see if this helps to clarify the next attempt: After bloodsucking creatures attack an oilfield that is hours from the nearest town, the first female…
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Next logline attempt, try for more of an A Story than the two talking. Or add details to help us imagine lengthy dialogues because even the responses make it seem like they only have one thing to talk about. It…
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Instead of saving the bar car, the boozy compatriots want to end it? The first one is relatable and sounds like a midlife crisis story where they want to hang on to their vices and crutches and wrong behavior. Perhaps…
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Good start.Taking Richiev's logline one step further, clarify the "wits" and "turn the tables." Be specific with at least one battle or otherwise paint more of a mental picture.Is "opportunistic"? a contradiction? Sounds like he's there waiting to exploit something…
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What is the status of this idea, in development or completed script? Different comments for each and I personally like to give my time to those being developed.
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Describe the men. Add the details from the discussion. If the blackmailer is angry about the past, why doesn't he start with murder? How exactly does he blackmail the other? >> both characters have reasons to hate them and reasons…
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After (something other than plain) vampires attack their oilfield, a (protag) must...Full disclosure: I hate vampires. Still, what is the purpose of using a common monster? Is it a metaphor, people sucking oil from the ground are like vampires sucking…
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Is the idea being developed or is this already written?Even with four characters, one is still technically the protag or has the most significant arc so keep it from her pov. Maybe you can state the others in general or…
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And if the story is about solving the murder, tell us more about the friend and the world of his that the protag will explore.
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No argument there. The point is that it's possible to have too much going on in a story and it's worthwhile for the writer to consider the theme or else how all these work together and get enough time: forced…