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tittle:_” impenetrable” the desperate high school teacher kidnap his student and ask her family huge amount of money for his only daughter for cancer diagnosis
In a logline it's better, to begin with, what sets the story in motion rather than end with it. "When his daughter contracts cancer, a desperate?teacher..."
In a logline it’s better, to begin with, what sets the story in motion rather than end with it.
“When his daughter contracts cancer, a desperate?teacher…”
See lessA young Police Officer named Satya who lost his GUN (with 8 bullets) on duty, which put his job at risk. And what if a common man finds that missing gun and started doing crimes. While Satya is searching for his gun, City started witnessing the Crimes. Will Satya finds his gun back? How he solved crimes in the city caused by 8 bullets from his gun.
After a rookie police officer loses his gun, he must recover the weapon before the 8 bullets remaining are used to commit further crimes.
After a rookie police officer loses his gun, he must recover the weapon before the 8 bullets remaining are used to commit further crimes.
See lessA city detective, who’s going through a mid-life crisis, is summoned to a small town where he’ll struggle to catch a serial killer, and where he’ll also face the chance to give his life meaning again.
Loglines are about what a protagonist intentionally strives to do -- objective goals.? They are? not? about what he??unintentionally or accidentally discovers along the way that conveniently solves a subjective problem.One reason this is so is because film is a visual medium.? Every action element oRead more
Loglines are about what a protagonist intentionally strives to do — objective goals.? They are? not? about what he??unintentionally or accidentally discovers along the way that conveniently solves a subjective problem.
One reason this is so is because film is a visual medium.? Every action element of a logline must be capable of being visualized.? The visual for catching the serial killer is obvious.? Either there is a final scene where the detective apprehends the serial murderer or kills him in the process.
But what’s the visual for an internal state of mind, for “giving his life meaning again”?
This is not to say that the script shouldn’t play out a scenario in which the protagonist solves his subjective problem while solving some objective problem.? Protagonists should have a character arc and solving a subjective problem entails a character arc.
But, again, the logline is about the action vector — not the character arc.
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