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SPELLBOUND
So going under cover doesn't solve her dramatic problem -- they're going to find her anyway?? And she's too stupid to know that?And how will switching back solve her dramatic problem of evading the G-guys?? Seems like it will only guarantee she'll be caught up in the gov't dragnet.? So how does switRead more
So going under cover doesn’t solve her dramatic problem — they’re going to find her anyway?? And she’s too stupid to know that?
And how will switching back solve her dramatic problem of evading the G-guys?? Seems like it will only guarantee she’ll be caught up in the gov’t dragnet.? So how does switching back solve her dramatic problem of avoiding capture?
I’m confused.
?
See lessAfter the climate change destroyed the balance between the real and fantastic world in Kamakura, a young woman whit magical Powers decides to contact two documentary filmakers to help her investigaste the supernatural events that happen in the city.
The best place to start with this logline would be the Conflict.What is standing in the lead characters' way? (Then add it to the logline)Other than that I like the concept
The best place to start with this logline would be the Conflict.
What is standing in the lead characters’ way? (Then add it to the logline)
Other than that I like the concept
See lessIn a future behind a glass dome, an optimistic factory girl discovers a strange seed and journeys across an inhospitable landscape to find a mythic Rover God who could bring the earth back to its former glory.
As mikepedley said.? If the discovery of the strange seed is the inciting incident, then there should be an obvious, clear-cut. cause-and-effect between that discovery and the decision to take the quest.? But the cause-and-effect relationship between the discovery and the quest is vague, tenuous atRead more
As mikepedley said.? If the discovery of the strange seed is the inciting incident, then there should be an obvious, clear-cut. cause-and-effect between that discovery and the decision to take the quest.? But the cause-and-effect relationship between the discovery and the quest is vague, tenuous at best.? We , the readers, are given no reason as to what is so special about the seed that that it motivates her to go on a quest? to find the “Rover God”.
Further, if the “Rover God” is that potent, and benevolent why doesn’t she just take the initiative and? regenerate the world?? Why must a factory girl ask her?
(Also it’s SOP in? any plot entailing a mere mortal wanting something from a deity that the deity will refuse to grant the mere mortal her wish — until she fulfills some seemingly impossible task or undergoes some perilous ordeal.)
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