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When the feisty pirate emperor kidnaps their kingdom, an abominable feline-human boy and a weak princess must find someone in the “awfully violent” neighboring empire closed enough to accuse him to the emperor’s dubious mother before marrying their queen in a wrestling presentation.
Not clear what the story is, who these characters are, or what they're doing...not even a proper sentence. What is the goal here?
Not clear what the story is, who these characters are, or what they’re doing…not even a proper sentence. What is the goal here?
See lessWhen his murderous creditors granddaughter goes missing, in electric, neon drenched Tokyo, burn out, failed private investigator Joe Horiuchi is given a week to find her to pay off a large gambling debt, and discovers deep seated corruption of politicians tied to human trafficking and the organized crime gangs running them; but when the officer helping Joe wants to arrest him, he must rediscover his purpose in life and earn the trust back of those he cares about in order to venture further down the dark rabbit hole of organized crime to unearth the source of corruption before he gets his arm cut off.
Intriguing story! I’d watch’s series about organized crime in Japan. For a logline, see if you can capture the key ingredients (main character, catalyst, their challenge) in fewer words. Hit me with just the essence of your story - and quickly - and leave out the rest, to make me want to watch it toRead more
Intriguing story! I’d watch’s series about organized crime in Japan.
For a logline, see if you can capture the key ingredients (main character, catalyst, their challenge) in fewer words. Hit me with just the essence of your story – and quickly – and leave out the rest, to make me want to watch it to find out what happens.
See lessWhen a girl addicted to her phone learns that the phone also is addicted to her and won’t let her go, she must find a way to get rid of it before it destroys all aspects of her life. Be it personal, professional, financial, social, physical and spiritual. All aspects are affected.
Always limit a logline to once sentence, 25-30 words, without commas when appropriate. Include the protagonist, antagonist, conflict, and stakes. Try to end on the hook, the inherent irony, so people think "Oh that's interesting..." If they like the logline, they want to read more. Additional detailRead more
Always limit a logline to once sentence, 25-30 words, without commas when appropriate. Include the protagonist, antagonist, conflict, and stakes. Try to end on the hook, the inherent irony, so people think “Oh that’s interesting…” If they like the logline, they want to read more. Additional detail belongs in a summary, synopsis, or treatment they can then request.
And never start with “When,” despite the popular formula. People react to people, not events — tell them who the main character is and what that person struggles with in the story. That’s the draw of the movie.
It’s also good to convey the genre and tone, so folks know what kind of story it is. Comedy and tragedy have the same dramatic elements, but they don’t play the same — be sure your readers know what kind of script they’re in for.
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A teenage girl must break her smartphone addiction before it destroys her life, once the advanced device becomes emotionally attached to her as well.