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almiiiteyPenpusher
Posted: April 28, 20132013-04-28T01:03:09+10:00 2013-04-28T01:03:09+10:00In: Public

A murdered teenage girl sacrifices eternal life so she can return as a ghost to protect her younger sister from being her murderer?s next victim.

Salvia

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    1. almiiitey Penpusher
      2013-04-28T02:57:47+10:00Added an answer on April 28, 2013 at 2:57 am

      kbfilmworks says: (Edit)

      The protagonist is making a compelling sacrifice ? her own eternal soul. But is the younger sister at risk of eternal damnation or just at risk of losing her earthly life? I think the older sister?s sacrifice only works if the younger sister is on the verge of eternal damnation and the protagonist risks her own eternal life to save her. And if this is the case, is the protagonist ultimately not restored to eternal life for being willing to make such a great sacrifice?

      Thanks for switching to the revised logline kbfilmworks.

      I agree, having the protagonist save her younger sister’s eternal life, not just her mortal life, is a more compelling idea.

      I had considered having the murdered girl’s eternal life restored as a reward for her sacrifice but I had an alternate idea that I hope you will review.

      At the beginning of the film, I considered making the soon to be murdered girl a chess champion. At the end of the film, I envision her devising a brilliant strategy that saves her sister and restores her own immortal life. I wondered if that wouldn’t make a more compelling arc for the character–from a murdered victim to a brilliant hero who saves her own life.

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    2. kbfilmworks Samurai
      2013-04-28T03:30:18+10:00Added an answer on April 28, 2013 at 3:30 am

      I’m not sure of exactly what you have in mind but I get the impression you haven’t yet written the script. Personally, I’ve never been able to craft a script from a logline. I usually trust my storytelling intuition and my awareness of the genre I’m working in. I know many gurus suggest crafting the logline before you start the script but in my view I’m more interested in what actual filmmakers have to say and largely ignore gurus.

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    3. almiiitey Penpusher
      2013-04-28T04:01:19+10:00Added an answer on April 28, 2013 at 4:01 am

      You are right, I have not written the screenplay. I have written both ways–writing the story and then the logline, and, as in this case, writing the logline and then the script. Each approach results in a different type of storytelling. My best guess for genre at this point would be drama/mystery/thriller.

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    4. 2013-04-28T14:19:59+10:00Added an answer on April 28, 2013 at 2:19 pm

      I like this almiiitey — feels like Ghost meets the Lovely Bones. Regardless of what stage the actual screenplay is at this logline has some compelling elements… certainly enough to get started on.

      Good luck.

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    5. almiiitey Penpusher
      2013-04-28T23:49:24+10:00Added an answer on April 28, 2013 at 11:49 pm

      Thanks for your feedback Tony Edwards and kbfilmworks. I have enjoyed the beginning stages of this project and plan to move on to the outline stage to see if this logline can become a full story. Logline.it is such a valuable support. I will do my part and leave feedback for others to make sure this site continues to grow. Thanks again to you both.

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    6. L.D.
      2014-09-21T01:05:37+10:00Added an answer on September 21, 2014 at 1:05 am

      This sounds like a great mystery…have you thought of her returning as something other than a ghost…as that seems a little on the nose….? Perhaps she takes the form of another person – someone who could create even more conflict? Happy writing!

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    7. L.D.
      2014-09-21T01:05:37+10:00Added an answer on September 21, 2014 at 1:05 am

      This sounds like a great mystery…have you thought of her returning as something other than a ghost…as that seems a little on the nose….? Perhaps she takes the form of another person – someone who could create even more conflict? Happy writing!

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