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torgodogLogliner
Posted: May 24, 20132013-05-24T04:48:26+10:00 2013-05-24T04:48:26+10:00In: Public

An assassin hired by means of text messages to kill a prominent mobster discovers he has been set up by the daughter of one of his father?s hits in a complex scheme of revenge.

Grim Game

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    9 Reviews

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    1. Richiev Singularity
      2013-05-24T10:33:31+10:00Added an answer on May 24, 2013 at 10:33 am

      “When an assassin is set up by the daughter of one of his victims, he must…”
      —–

      You started the meat of your logline halfway through and then didn’t tell us what he must do once he realizes he is set up.

      Hope that helped, good luck with this!

      (btw. from your logline it seems we should be pulling for the daughter not the assassin. Is he your main character?)

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    2. 2013-05-24T11:05:00+10:00Added an answer on May 24, 2013 at 11:05 am

      You are correct, the assassin is the main character (just as in Le Samoura? we pull for the assassin), and we are pulling for both him and the daughter, which may seem like a paradox because they appear to be on the oposite sides, but both are victims of circumstances. I am not attempting to include all of it into a logline.

      At a risk of boring you out of your mind (I don’t know how much time and interest you have in this) here is a pitch.

      The Pitch:
      Y is a foreigner hired by mobsters SHY BOY and RUSTY to assassinate FISH, a New
      York crime boss. Arriving at JFK airport, he buys a disposable mobile phone, on which he
      receives a series of text messages providing him with scavenger hunt-like instructions on where
      to find the materials and weapons for carrying out two hits. Y performs the job with clinical
      precision, only to discover that something has gone terribly wrong. Seems that X, a beautiful
      woman he met in a bar following the first hit, has set him up in complex scheme of revenge for
      the murder of her mother.

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    3. almiiitey Penpusher
      2013-05-26T01:49:22+10:00Added an answer on May 26, 2013 at 1:49 am

      I’m interested in your pitch. What is X’s scheme for revenge? What does Y have to do to save himself from this set up?

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    4. Nicholas Andrew Halls Samurai
      2013-05-27T11:36:38+10:00Added an answer on May 27, 2013 at 11:36 am

      Yeah, in echoing the above statements, your logline goes into great detail about the set-up (in this case, a literal SET-UP), but what does your assassin do for the other hour and a half of the film?

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    5. 2013-05-28T15:14:28+10:00Added an answer on May 28, 2013 at 3:14 pm

      Nicholas: the truth is that this is NOT a set up. Y learns that X set him up on page 97, (the script is 99 pages long). Pretty much at the very end, at this point he is mortally wounded and there is not much he can do about it, he waits in ambush for her with a gun in his hand, but dies before she comes. It is a film noir. No one gets what he or she wants.

      Almiiitey: X’s scheme of revenge. Okay, that, I am afraid, will fall outside of a logline.

      Just briefly, twenty year early, Y’s father – Sharp, also hired assassin, kills X’s mother, while X, then a little girl, watches. Twenty years later X follows Y to New York, she knows that Y will eventually lead her to Sharp, on whom she will exact her revenge.

      X’s scheme is to have Sharp watch Y die, appropriate it seems at first, since X watched Sharp kill her mother. To do so, X at first gets close to Y. Y doesn’t suspect any foul play, to him it is just a one night stand.

      Since Y receives all his instructions by text messages, X manipulates him to assassinate a wrong traget — instead of killing intended target he kills one of his employers. So, now the mob is after him, but he doesn’t suspect it, as far as he is concerned he followed his orders to the letter. The mob ambush him, but being at the top of his game he turns tables on them and comes on top, however, he is wounded and bleeding profusely.

      He returns to his hotel room, desperately trying to solve the puzzle in his head, what went wrong and where. Going through the events of the past two days he realizes that the only “unplanned” thing was meeting X, he suspects that she holds the key to this puzzle. He breaks into her hotel room (she is staying at the same hotel in the room right above his) and finds evidence that confirms his suspicions. Weakened he stays in her room, gun at the ready, waiting for her to come back.

      Meanwhile X watches Sharp die. However, watching an old and sick man die bring neither satisfaction nor closure. Furthermore, even though she seduced Y solely to use him to get to Sharp, she’s grown genuinely to like him. She realizes that in order to get her revenge she set up Y, a man she’d come to love, to be killed. She comes back to her hotel room to find Y’s dead body there.

      That’s how the whole thing end. Needless to say this is just the gist of it. To get the full picture you’d need to read all 99 pages. The trick and difficulty for me is to compress it into a logline. Obviously it would be impossible to include everything, I am just trying to get something that would get people interested and wanted to hear/see more.

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    6. 2013-05-28T15:17:48+10:00Added an answer on May 28, 2013 at 3:17 pm

      Thank you for pointing it out. I will post an updated logline shortly.

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    7. 2013-05-28T16:22:29+10:00Added an answer on May 28, 2013 at 4:22 pm

      If the reveal of the ‘revenge’ plot doesn’t come until page 97 I don’t think there is a point in including it in your logline… that is of course if the hitman is the main protagonist (?)

      Also — while the fact that he receives his hits via text message is the way that the ‘mistaken’ hit can logically occur, it’s a detail that can be left to the script and is not vital to expressing the spine of your story.

      What about:

      ‘A meticulous professional hitman struggles to uncover who set him up when he inadvertently kills his powerful underworld employer.

      I also think you could have a play with working a logline with ‘X’ as the protag…

      Anyway — Good Luck with this.

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    8. torgodog Logliner
      2013-05-28T16:30:30+10:00Added an answer on May 28, 2013 at 4:30 pm

      I agree — text messages or not, it isn’t all that important. I posted a new version literally minutes ago that echos what you have suggested.

      “When a meticulous hitman is hired to kill a prominent mobster by means of text messages, he unwittingly becomes a tool in a complex scheme of revenge by a woman he regards as nothing more than a one night stand.”

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    9. 2013-05-28T16:59:07+10:00Added an answer on May 28, 2013 at 4:59 pm

      I think you could you definitely lose the fact that he learns of his hits via text message — it’s pretty much superfluous and losing it would drop your word count from 38 words to 33…

      Your film sounds interesting though — except I’m losing count of the loglines posted on this site involving ‘hit-men’ — definitely the flavor of the month!

      Your scenario — in regards to having what is essentially a sympathetic antagonist (which is what the woman is reading like to me…) is reminiscent of ‘Zero Effect’ with Bill Pullman and Ben Stiller — well worth a watch/ read…

      Anyway — given your edit I think you could get away with this:

      A meticulous (or promiscuous..?) hitman unwittingly becomes a tool in a complex scheme of revenge by a woman he regards as nothing more than a one night stand

      Much Luck, again 😉

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