THE TWIST
When political and selfish interests become top priorities,other events are secondary including family and love.In a situation where love gets entangled in the midst of it,what happens?
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This is more like a teaser than a logline. A don’t think a logline should ever ask questions.
Everything about this is too vague.
What is the event that causes political interests and selfish interests to become the top priority for your protagonist? What is the action they take as a direct result of that, and what is your protagonist’s goal?
You’ve alluded to the stakes being family and love … but you need to be more specific. Is it a wife and kids they protagonist is risking, or a partner, or just a child?
I have no idea who your protagonist is or what their flaw might be, so I can’t possibly invest myself emotionally in your concept.
Right now all I know is that it’s a vaguely political drama?
Why are there no spaces after punctuation?
noted.thank you
noted. will make corrections
I echo the sentiments above. Who is this about? That is a crucial component of any logline.
You should really have a main character 🙂 It will help your story.
This logline deals in abstractions and generalities. A logline should be about specific people, a specific situation, a specific action, specific stakes.
Who is the main character or protagonist?
What is his objective goal?
Who opposes him?
What’s at stake?