This is our Homeland
SaintPeterPenpusher
When the mayor of Washington D.C. is murdered and a Homeland Security agent is framed, the agent must find out who is blaming him before he gets his next target: The President.
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When a troubled Homeland Security agent’s framed for the murder of Washington DC’s mayor, he must discover who’s behind the plot before they achieve their next target: The President.
Richiev’s rendition sounds solid. Although very familiar, this is the type of movie that audiences never seem to tire of. Where I think you have opportunity to make it different is in the “troubled” character of the Homeland Security agent, and the political climate you choose to set your story into.
Hi SaintPeter,
I agree with Ian and think Richiev’s tightens it well — but there’s either a logic problem, or, the potential for a great dilemma… If he has been framed and is under arrest (?…It’s not clear if he is under arrest or on the run…?) then letting the real killer shoot the president would give him a shot at proving his innocence — logic problem –… Of course, it’s THE PRESIDENT… So what can he do? A juicy dilemma… If the longline made more of this there would be no confusion over the potential logic problem… Or maybe It’s just me who’s confused…?
Anyway, i can see the potential, best of luck.