When as actress playing a costumed hero crosses the line, as would her character, her actions alter the lives of everyone around her.

>>>When a actress turned vigilante purses a rapist, her sister falls for a club-owner caught in the wake.

A logline describes a plot.? A plot is a unitary course of action by a character to achieve a singular objective goal.? This logline describes two? characters engaging in seemingly? two independent courses of action.? Who owns this story?? What is the main course of action, the backbone of the plot on which everything else hangs?

Of course, the primary main course of action may have secondary and tertiary story threads, but a logline is only about the primary course of action.? ?For the sake of brevity and because? the primary course of action by itself should be interesting enough to sell the script,

And actually,? there doesn't seem to be a plot to the sister falling in love.? There is no goal she's striving toward,? no obvious stakes, no apparent dramatic tension in her falling in love.? She just does.? It comes across as an event in? the actress's plot, not a subplot in its own right.? Nor is it obvious that it complicates the actress's? plot,? Two more reasons it does? not seem to belong in the logline.

>>>When a actress turned vigilante purses a rapist, her sister falls for a club-owner caught in the wake.

A logline describes a plot.? A plot is a unitary course of action by a character to achieve a singular objective goal.? This logline describes two? characters engaging in seemingly? two independent courses of action.? Who owns this story?? What is the main course of action, the backbone of the plot on which everything else hangs?

Of course, the primary main course of action may have secondary and tertiary story threads, but a logline is only about the primary course of action.? ?For the sake of brevity and because? the primary course of action by itself should be interesting enough to sell the script,

And actually,? there doesn't seem to be a plot to the sister falling in love.? There is no goal she's striving toward,? no obvious stakes, no apparent dramatic tension in her falling in love.? She just does.? It comes across as an event in? the actress's plot, not a subplot in its own right.? Nor is it obvious that it complicates the actress's? plot,? Two more reasons it does? not seem to belong in the logline.

How about this?

When a actress turned vigilante purses a rapist, her sister falls for a club-owner caught in the wake.