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After a senseless violent act, a quiet man willingly risks losing his home and family relationships for love of his wife and memory of his daughter.
This post describes no plot. Please review the Formula tab at the top of the page. The logline should describe what visually happens on screen. It should describe his objective goal. What does he specifically do to rebuild his marriage? What event drives him to rebuild it?
This post describes no plot. Please review the Formula tab at the top of the page.
The logline should describe what visually happens on screen. It should describe his objective goal. What does he specifically do to rebuild his marriage? What event drives him to rebuild it?
See lessDeath is ignoble. Poets may claim otherwise, but there is nothing heroic about its finality. Ed zippered the body bag over the now perpetually young soldier; that once virile face would haunt him for years. ………..would like feedback on this opening sentence
Okay. For a novel it's pretty good. The use of descriptive language paints an interesting picture. It doesn't really evoke any type of emotion. In fact Ed seems to be fairly emotionless, even in this version "that once virile face will haunt him for years." is told but it doesn't show. To me, if thaRead more
Okay. For a novel it’s pretty good. The use of descriptive language paints an interesting picture. It doesn’t really evoke any type of emotion. In fact Ed seems to be fairly emotionless, even in this version “that once virile face will haunt him for years.” is told but it doesn’t show. To me, if that line were removed, Ed would seem indifferent. Just doing his job, jaded from experience.
See lessDeath is ignoble. Poets may claim otherwise, but there is nothing heroic about its finality. Ed zippered the body bag over the now perpetually young soldier; that once virile face would haunt him for years. ………..would like feedback on this opening sentence
Show don't tell. That advice is more important in film and television because a script should only describe things that are seen on screen or heard. Unless the first part is narration, how does that translate to a visual cue for a director to film? "Perpetually young". Dead is a simpler way to say tRead more
Show don’t tell. That advice is more important in film and television because a script should only describe things that are seen on screen or heard. Unless the first part is narration, how does that translate to a visual cue for a director to film? “Perpetually young”. Dead is a simpler way to say that. Otherwise it could cause confusion on whether it means eternal youth, as in living but never aging. The last part is once again telling and not showing. As a first line it doesn’t exactly make me interested.
See lessThe image of someone zipping up the body of a young soldier could create powerful and visually interesting imagery, but the description does too little in conveying that. Does the soldier have a specific look on his face in death? Is it fear, peace? Is his body mangled or is it still intact, fully displaying his youth? What about Ed? There’s no physical description of him at all. Is he kneeling on the ground in the middle of what was a a war zone? Is he hunched over a medical examination table? Does he look angry, sad? This line does the bare minimum in creating a visual image by only describing an action. No setting, no context to the scene.
Not only that, but it doesn’t seem like the line is in present tense. Sense I am assuming this is a screenplay and not prose, it should be “zips”, not “zippered”. “Will” not would.