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An alcoholic bounty hunter is hired by a business mogul to rescue his rebellious daughter, who?s missing in a zombie-ravaged city.
I like Richiev's suggestion because it adds a ticking clock, which increases urgency, hence dramatic tension to the story.
I like Richiev’s suggestion because it adds a ticking clock, which increases urgency, hence dramatic tension to the story.
See lessTired of being called crazy, a mother haunted by the ghost of her child stumbles into a sinister form of therapy from a group of deranged women.
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn't tell us where the story is going. It doesn't answer one of the fundamental questions of a logline: What is the main character's objective goal? What does she want to do after she stumbles into a sinisterRead more
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn’t tell us where the story is going. It doesn’t answer one of the fundamental questions of a logline: What is the main character’s objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?
And a logline should also answer the question: who opposes her — who is the antagonist? And the question: what’s at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?
See lessTired of being called crazy, a mother haunted by the ghost of her child stumbles into a sinister form of therapy from a group of deranged women.
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn't tell us where the story is going. It doesn't answer one of the fundamental questions of a logline: What is the main character's objective goal? What does she want to do after she stumbles into a sinisterRead more
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn’t tell us where the story is going. It doesn’t answer one of the fundamental questions of a logline: What is the main character’s objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?
And a logline should also answer the question: who opposes her — who is the antagonist? And the question: what’s at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?
See less