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A teenaged girl is thrown into a heaping mess with the gathering forces of evil, an axe weilding ghost maniac, and the task of hiding her darkest secret as cursed witch.
As Richiev said, she doesn't have a goal, at least a positive one. "Task of of hiding her darkest secret" is negative, reactionary and passive. What is so interesting about watching a character hiding, suppressing her defining characteristic, the source of canny powers and abilities? You can't buildRead more
As Richiev said, she doesn’t have a goal, at least a positive one. “Task of of hiding her darkest secret” is negative, reactionary and passive. What is so interesting about watching a character hiding, suppressing her defining characteristic, the source of canny powers and abilities? You can’t build a mini-series, let alone one episode, around a negative, or passive goal. The story should always be driven by a main character with a positive goal.
Maybe she’s a witch and a cursed one. But the plot is a conspiracy against the main characters original intention; it must compel her to be proactive, to use her ‘bewitching powers” for some positive objective goal.
See lessA teenaged girl is thrown into a heaping mess with the gathering forces of evil, an axe weilding ghost maniac, and the task of hiding her darkest secret as cursed witch.
As Richiev said, she doesn't have a goal, at least a positive one. "Task of of hiding her darkest secret" is negative, reactionary and passive. What is so interesting about watching a character hiding, suppressing her defining characteristic, the source of canny powers and abilities? You can't buildRead more
As Richiev said, she doesn’t have a goal, at least a positive one. “Task of of hiding her darkest secret” is negative, reactionary and passive. What is so interesting about watching a character hiding, suppressing her defining characteristic, the source of canny powers and abilities? You can’t build a mini-series, let alone one episode, around a negative, or passive goal. The story should always be driven by a main character with a positive goal.
Maybe she’s a witch and a cursed one. But the plot is a conspiracy against the main characters original intention; it must compel her to be proactive, to use her ‘bewitching powers” for some positive objective goal.
See lessWhen an obstetrician turned part-man / part-foetal matter exacts his revenge on those responsible, he must rescue an innocent life to destroy a demon from his own mind made flesh.
Better, but I fear that anyone reading it for the first time will stumble over "part-foetal". So the question is will that hook their interest to read the script to at least find out what "part-foetal" means? Or will it give them an excuse not to read the script? Being by temperament an expect-the wRead more
Better, but I fear that anyone reading it for the first time will stumble over “part-foetal”. So the question is will that hook their interest to read the script to at least find out what “part-foetal” means? Or will it give them an excuse not to read the script?
Being by temperament an expect-the worst, glass-half-empty kind of guy, my default position is that folks in the biz, being very busy, easily distracted, are always looking for an excuse not to read a script. So my philosophy is, don’t give them an excuse. Not one.
fwiw.
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