Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
After the death of an elderly millionaire, his estranged offspring haul their families cross-country in order to retrieve their deceased father’s inheritance.
As Nir Shelter said. And there ought to be stakes. They don't just want the money, they desperately need it (to stave off bankruptcy, pay for an expensive, life-saving operation, etc.). And soon.
As Nir Shelter said.
And there ought to be stakes. They don’t just want the money, they desperately need it (to stave off bankruptcy, pay for an expensive, life-saving operation, etc.). And soon.
See lessAfter the death of an elderly millionaire, his estranged offspring haul their families cross-country in order to retrieve their deceased father’s inheritance.
As Nir Shelter said. And there ought to be stakes. They don't just want the money, they desperately need it (to stave off bankruptcy, pay for an expensive, life-saving operation, etc.). And soon.
As Nir Shelter said.
And there ought to be stakes. They don’t just want the money, they desperately need it (to stave off bankruptcy, pay for an expensive, life-saving operation, etc.). And soon.
See lessAn ex couple accidentally gets locked in the basement at a New Years Party and are forced to speak about their past, present and future.
Yeah, the story would benefit from ticking time bomb as in "Phone Booth" to raise the stakes and escalate tension. No stakes+ No escalating tension = boredom. And boring an audience is the one unforgivable sin in cinema.
Yeah, the story would benefit from ticking time bomb as in “Phone Booth” to raise the stakes and escalate tension. No stakes+ No escalating tension = boredom. And boring an audience is the one unforgivable sin in cinema.
See less