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  1. Posted: July 28, 2013In: Public

    When her daughter is taken by nanobot creatures, an irresponsible scientist mother must venture beyond the city's walls and find the creature's lair to get her back.

    dpg Singularity
    Added an answer on July 29, 2013 at 3:54 am

    Come to think about it, it might work as an updated version of Gulliver's travels where the nanobots are modern-day Lilliputians.

    Come to think about it, it might work as an updated version of Gulliver’s travels where the nanobots are modern-day Lilliputians.

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  2. Posted: July 28, 2013In: Public

    When her daughter is taken by nanobot creatures, an irresponsible scientist mother must venture beyond the city's walls and find the creature's lair to get her back.

    dpg Singularity
    Added an answer on July 28, 2013 at 10:35 pm

    Nano means one billion and is used for extremely small units of measurement: a nanosecond = 1/1,000,000,000 of a second. So how are nanobots, by definition extremely small objects, capable of "kidnapping" a person?

    Nano means one billion and is used for extremely small units of measurement: a nanosecond = 1/1,000,000,000 of a second. So how are nanobots, by definition extremely small objects, capable of “kidnapping” a person?

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  3. Posted: July 24, 2013In: Public

    After the extinction of women and the destruction of the moon, an imaginative young man realizes that his sexuality is the one thing that may keep him alive.

    dpg Singularity
    Added an answer on July 26, 2013 at 11:37 pm

    What Tony Edward said. A logline shouldn't give away the ending, but it has to be "on the nose" in the sense of describing what the story is about in terms of the inciting incident and consequently the external struggle for an objective goal. (Objective being defined as an object [example:treasure cRead more

    What Tony Edward said.

    A logline shouldn’t give away the ending, but it has to be “on the nose” in the sense of describing what the story is about in terms of the inciting incident and consequently the external struggle for an objective goal. (Objective being defined as an object [example:treasure chest full of gold], destination [example:Tasmania] or event [example: crossing the finish line first] that can be visualized on screen.)

    Internal struggles, of course, enrich the characters and the story, but that’s what actors are paid to do, bring out the subtext in the text. The logline’s job is to bait attention, get people to read the script.

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