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A mentally challenged teen who is imprisoned because he accidentally murdered somebody falls in love with his therapist against her better judgment
>>A mentally challenged Vague. Is he cognitively deficient or psychologically disordered? Or both? >>falls in love with his therapist against her better judgment What? He falls in love -- and it's her fault? As written, your logline blames the victim.
>>A mentally challenged
Vague. Is he cognitively deficient or psychologically disordered? Or both?
>>falls in love with his therapist against her better judgment
What? He falls in love — and it’s her fault? As written, your logline blames the victim.
See lessWhen the objects, acting in concert worldwide, start refusing to help with bad actions for no apparent reason, it becomes the hell on earth for bad people but not yet heaven for the others. Will we be able to understand what things want to teach us: a lesson in humanity?
And BTW: I posited "plot as a conspiracy against the protagonist" as a general dramatic principle. I was repeating a statement I read in a book. I think it's a very useful notion. Your plot IS a conspiracy against your characters even if don't you conceive of it that way. You are deliberately designRead more
And BTW:
I posited “plot as a conspiracy against the protagonist” as a general dramatic principle. I was repeating a statement I read in a book. I think it’s a very useful notion. Your plot IS a conspiracy against your characters even if don’t you conceive of it that way. You are deliberately designing a plot to force your characters to change, act better, do things the way you think they should be done.
If that’s not a conspiracy, I know not the meaning of the term.
fwiw
See lessWhen the objects, acting in concert worldwide, start refusing to help with bad actions for no apparent reason, it becomes the hell on earth for bad people but not yet heaven for the others. Will we be able to understand what things want to teach us: a lesson in humanity?
Whatever. But there needs to be a unity of action, that is, a principal character around whom to frame your narrative. Who's the lucky guy (or gal)?
Whatever. But there needs to be a unity of action, that is, a principal character around whom to frame your narrative. Who’s the lucky guy (or gal)?
See less