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It’s the year 2030 and Teller is working at becoming Supreme Leader with the help of his good friends and the absurd seems to be working.
What is the inciting incident that kicks off the plot, that motivates the protagonist to become "Supreme Leader"?? (See "Our Formula" .)What's are the stakes?? Why MUST he become Supreme Leader? (Even a comedy has to have stakes.)? What does stand to lose if he fails? Why should an audience care wheRead more
What is the inciting incident that kicks off the plot, that motivates the protagonist to become “Supreme Leader”?? (See “Our Formula” .)
What’s are the stakes?? Why MUST he become Supreme Leader? (Even a comedy has to have stakes.)? What does stand to lose if he fails? Why should an audience care whether he succeeds or fails?
Who opposes him?? Who seems likely to defeat him?? If “the absurd seems to be working beautifully”– whatever that means — what is there to worry about?
And in loglines for fiction, main characters are defined in terms of their role in the plot (“ambitious comedian”, “failed actor”), not by name.
fwiw
See lessA jaded billionaire and business executive sends an amateur reporter on a wild goose hunt, only to have the reporter uncover a dark decade long conspiracy with the executive at the center of it.
I have developed a checklist of questions I use to evaluate a logline. It extends beyond the minimal Big 3 elements listed Karel Segers under ?Our Formula? (Inciting Incident, Protagonist, Objective Goal).At the top of my list is:? What is the hook, the story bait? How effective is it? In my hierarcRead more
I have developed a checklist of questions I use to evaluate a logline. It extends beyond the minimal Big 3 elements listed Karel Segers under ?Our Formula? (Inciting Incident, Protagonist, Objective Goal).
At the top of my list is:? What is the hook, the story bait? How effective is it?
In my hierarchy of logline elements, this is the most important. The way I see it, an effective hook needs to be baited with one or more of the following elements: 1] An interesting character; 2] A novel situation that creates a compelling quest, mission or struggle fraught with jeopardy; 3] An intriguing relationship; 4] An unusual, exotic setting.
Now then.
Your logline has a semi-interesting character– but it’s not the protagonist, the amateur reporter. Rather it’s the villain, the jaded billionaire. That’s okay. In the original Star Wars movie (“A New Hope”) that launched the franchise, Darth Vader is a more interesting character than Luke Skywalker. The movie illustrates the dramatic axiom that the way to create a great hero is to pit him against a great villain.
Well, what the next piece of bait: a compelling quest, mission or struggle?
I dunno.
Because I have no idea why the jaded billionaire sent the amateur reporter on a spurious quest.? What?s his motivation? What threat does a mere amateur pose to him that he MUST send the reporter on a snipe hunt? Am I?m clueless as to the nature of the conspiracy. What exactly is it? What makes it unique, different from the ones in all the other 10,001 films with a conspiracy?
Further, because I have no idea what the conspiracy is, I have no idea what the stakes are. What is to be gained if the reporter succeeds?? What is lost if he fails? Why should I worry or care whether the reporter succeeds or fails?
The remaining two pieces of logline bait (intriguing relationship, unusual, exotic setting) don?t seem to apply.
So is there enough irresistible bait dangling in the logline for me to bite and want to read the script?? Alas, not yet. I suggest that the logline needs to be ?juiced? with a clearly defined conspiracy that entails a compelling struggle fraught with jeopardy and stakes.
fwiw
See lessA bereaved father and assassin descends into delirium as he murders a group of anonymous teenage boys one by one for the Mexican cartel, unaware the final target is his long thought dead son.
Why would a movie audience pay to watch a film about a nutjob ("descends into delirium") killing teenagers for an evil organization ("the Mexican Cartel"); teenagers who may be innocent as well as "anonymous" -- whatever that means? Who is the audience supposed to root for?
Why would a movie audience pay to watch a film about a nutjob (“descends into delirium”) killing teenagers for an evil organization (“the Mexican Cartel”); teenagers who may be innocent as well as “anonymous” — whatever that means? Who is the audience supposed to root for?
See less