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After her big crush reveals himself as a werewolf, a vampire girl must find a way around her orthodox family to get together
If you're going? to play the Jewish schtick... When an ultra-orthodox vampire falls in love with a worldly, reformed werewolf,? she must convince her traditional family to accept him. (21 words) fwiw
If you’re going? to play the Jewish schtick…
When an ultra-orthodox vampire falls in love with a worldly, reformed werewolf,? she must convince her traditional family to accept him.
(21 words)
fwiw
See lessAn undercover policewoman lures a member of the Albanian mafia into a sexual relationship, in order to infiltrate and expose his gang’s cocaine trafficking.
A prudish undercover policewoman must seduce a drug lord with a sadistic sex fetish in order to infiltrate and take down his operation. (23 words)BTW:? his sex fetish could be the Big Reveal, the Dirty Secret she only finds out after successfully seducing him (say around the midpoint).? ?Usually theRead more
A prudish undercover policewoman must seduce a drug lord with a sadistic sex fetish in order to infiltrate and take down his operation.
(23 words)
BTW:? his sex fetish could be the Big Reveal, the Dirty Secret she only finds out after successfully seducing him (say around the midpoint).? ?Usually the Big Reveal is not included in a logline.? It is deemed to be a spoiler.? But in this case I believe it’s the story hook — it amps up the tension, the risk she’s taking, the danger she has put herself in.? ?Which is to say, it amps up interest in reading the script to find out what happens next.
fwiw
See lessA sleepaholic student from Los Angeles is determined to find the girl in his dreams, eventually leading him to a spiritual world called soul space, an intermediate dimension which exists between heaven and hell
>>>what if the inciting incident is a major twist?Very good question.? If it's a major twist then it may be a good candidate for a story? hook, something that captures reader interest, makes them want to read the script.And logines are sales pitches -- not teasers.? So never withhold or burRead more
>>>what if the inciting incident is a major twist?
Very good question.? If it’s a major twist then it may be a good candidate for a story? hook, something that captures reader interest, makes them want to read the script.
And logines are sales pitches — not teasers.? So never withhold or bury a story hook.
Major twists that occur in the 1st Act should be in the logline.? Major twists that occur at the end of Act 2 or in Act 3 should never be in a logline. — that would constitute a spoiler.
Another variation:? the twist can be ironical:? something the audience knows about but the protagonist? discovers much later.? Such is the case with the logline I posted for the movie “The Bank Job”.? The audience is in on the story twist from the start, that the motley crew has been set up.? ?But only at the midpoint, after pulling off the heist, do they discover they’ve been set up.
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