Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
this hour long dramatic comedy will follow a lesbian Native American Indian who found refuge in the city that never sleeps after being exiled from her reservation not only due to her sexuality, but for having a child out of wedlock…
A story featuring a Native American character -- lesbian no less -- is a good choice.? The character immediately stands out as? Native American characters of any sexual orientation, in any role in any story are few and far between. However, I suggest the plot needs focusing. First of all: >>Read more
A story featuring a Native American character — lesbian no less — is a good choice.? The character immediately stands out as? Native American characters of any sexual orientation, in any role in any story are few and far between.
However, I suggest the plot needs focusing.
First of all:
>>>this hour long
What is the targeted media outlet and format for this story?? Is it a one-off, or are you writing a pilot for a TV or streaming media series?? (The default length for comedy series is 30 minutes, for dramas 60.)
>>dramatic comedy
As Richiev said it’s not necessary to indicate the genre in the logline itself.? That will be indicated in a separate field in any database in which it is entered.? And you have to choose one: either it’s a comedy or it’s a drama.? ?The logline suggests more dark moments than light ones.? So if it’s a comedy, it’s a dark one.
>>>not only due to her sexuality
Redundant.? That’s she’s a lesbian implies the dramatic problem of not fitting into her native, traditional norms.
>>>but for having a child out of wedlock?
This? needs reworking.? If she’s a lesbian, then it’s not likely that she willingly had sex with a man. Although just because her primary preference is women, doesn’t not exclude the possibility. (A number of lesbians and gays are bisexual.)? But for the purpose of? a more compelling and motivating inciting incident, I suggest she should be fleeing after the complication of becoming pregnant after the traumatic experience of being raped.? And that the logline should more clearly indicated this to be the inciting incident.
So she flees to the big city.? Then what?? “Find refuge” is rather vague and passive.? The logline should state proactive choices she must make after fleeing.? Like keep the fetus or abort?? And if not abortion then how to support and raise her child herself?
There are a lot of roads this story can take — and that’s good; it is a concept ripe with possibilities.? Now you have to write a logline that indicates the initial road she must take given that she’s pregnant.
fwiw
See lessTrapped
CraigDGriffiths:This one has been haunting my brain for 10 days now. Which is a good sign, I guess, given the genre.I have some quibbles over terminology raised in the discussion thread. (Technically he suffers from a multiple personality disorder, not schizophrenia; the two aren't interchangeable).Read more
CraigDGriffiths:
This one has been haunting my brain for 10 days now. Which is a good sign, I guess, given the genre.
I have some quibbles over terminology raised in the discussion thread. (Technically he suffers from a multiple personality disorder, not schizophrenia; the two aren’t interchangeable).? But that aside I think it’s an intriguing concept, definitely a film I am curious to see how the narrative keeps the character — and the audience — in the dark for most of the movie.
In terms of how to phrase the logline, I am of a divided mind.? On the hand, the standard rule says never give away an important spoiler, specifically the Big Reveal, in a logline.? On the other hand, the most important must-have element in a logline is a good hook.? And in this story, the story hook is the Big Reveal — that it’s a conspiracy of multiple selves.
So which element is more important?? I have concluded that this is a case where having a good story hook trumps the “no spoiler” rule.
Best wishes with this story.? Hope to see it soon in a theater, or on a streaming service.
See lessA disgruntled actress attempts to renew her U.S. residency by agreeing to help a politician fabricate a personable image in a reality TV show about the Arizona hierarchy.
>>>but problems ensue when she falls for the opposing candidate?I think that for this to work,? her objective goal must directly -- not obliquely -- clash with her relationship.? And I suggest that a goal that would bring her into head on conflict with her love interest? is for her to be hiRead more
>>>but problems ensue when she falls for the opposing candidate?
I think that for this to work,? her objective goal must directly — not obliquely — clash with her relationship.? And I suggest that a goal that would bring her into head on conflict with her love interest? is for her to be hired to go negative, to do opposition research and trash her love interest.
It’s also more realistic. Going negative is SOP in politics.? Alas, that has been demonstrated over and over to be the most effective way to campaign.? It’s not enough to polish one politician’s image; it is also necessary to trash the rival.
Therefore, to maximize conflict and comedy in the situation,? the objective goal given to her ought to be? to do negative research, to trash the rival.
And since there’s only a month to go until the election, it’s too late for her to credibly fall in love with him.? Better that they are already secret lovers when she’s hired.
fwiw
See less