Since the religious woman is the prime mover, the one who boots up the story by taking the band hostage, yes, find out what the religious woman wants — the “why?” ? There ought ?to be a ?”why” otherwise the conflict and suffering is essentially meaningless, gratuitous. ?The audience doesn’t have to agree with the “why”, just accept it as credible.

Which is another way of asking: what is the core value or idea you wish to explore in this story? ?What’s your dramatic point? ?Devoutly religious people find wanton sexual behavior sinful. ?Why does this one over react, go beyond mere moral revulsion?