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After trapping himself in an alternate universe, a Mage and his split consciousness must commune with the common realm to defeat the dark forces that threaten their existence.
Cutting to the chase: ?a?hermit magician must defeat ?a wicked king. ?That's as much of the story as I can figure out so far.>>>the pupil would never be able to succeed without the help of the Mage, but the Mage could potentially succeed without the pupil.Would Luke Skywalker have have beenRead more
Cutting to the chase: ?a?hermit magician must defeat ?a wicked king. ?That’s as much of the story as I can figure out so far.
>>>the pupil would never be able to succeed without the help of the Mage, but the Mage could potentially succeed without the pupil.
Would Luke Skywalker have have been able to succeed without help from Obi-Wan and Yoda? ?Yet, he’s clearly the main character, the designated hero.
What is the demographic audience for your story? What age group will it more likely appeal to?? ?If the prime demographic is (the greatly desired) teen to late 20’s audience,?which character is more likely to appeal to them, the pupil or the magician?
>>>A villain with a single aim is kind of flat
Of course, it’s a plus when the antagonist is a rich complex character. ?But does that mean he must have multiple objective goals to be one?
And conversely, by your logic, would you also say that a protagonist with a single aim (aka: objective goal) is kind of flat? Ergo, the hermit magician is a flat character because his only aim is to defeat the king, restore peace? Maybe the magician needs to pursue multiple objective goals, too?
Can you point to three commercially and/or critically successful movies in a similar genre as yours where the villain has multiple objective goals.
See lessAfter trapping himself in an alternate universe, a Mage and his split consciousness must commune with the common realm to defeat the dark forces that threaten their existence.
If the Mage can only commune with the "common realm" ?(aka: ordinary world) via a disciple, then that would seem to make the pupil a pivotal, indispensable character. ?So why not just make the disciple the the protagonist?And how did the king get access to this "alternative universe" that enables hiRead more
If the Mage can only commune with the “common realm” ?(aka: ordinary world) via a disciple, then that would seem to make the pupil a pivotal, indispensable character. ?So why not just make the disciple the the protagonist?
And how did the king get access to this “alternative universe” that enables him to tap it for his “nefarious purposes”? ?Is his consciousness split, too?
And what are the king’s “nefarious purposes”. ?That’s broad and general; it can cover anything and everything. ? What is the king’s specific nefarious purpose that the Mage must defeat?
And why say Mage? ?Do you think it is safe to assume that a logline reader will automatically grasp that it’s another term for a magician? ?Why not just say magician in the logline, save the title for the script?
See lessA pert casino waitress accidentally tripled in stature by a scientist achieves her dream of Vegas stardom and falls in love wuth him, but sacrifices her size to save him when he’s kidnapped by a mobster. .,
Well, the comedic potential and logic of the premise aside, the logline gives away the 3rd Ac: ?what she must ultimately do for the man she loves. ? A logline should never show that card, ?should never reveal what happens in the 3rd Act to resolve the dramatic conflict. ?Should never tip its hand abRead more
Well, the comedic potential and logic of the premise aside, the logline gives away the 3rd Ac: ?what she must ultimately do for the man she loves. ? A logline should never show that card, ?should never reveal what happens in the 3rd Act to resolve the dramatic conflict. ?Should never tip its hand about anything in the 3rd Act.
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