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“A solitary chinese student gets lost one night during the end-of-year trip in Venice, encountering all kinds of nocturnal characters in a decadent suburb as he tries to find himself and his future.”
You have described a character and a series of events but there are no dramatic developments and so you don't actually have a story.
You have described a character and a series of events but there are no dramatic developments and so you don’t actually have a story.
See lessWhen a giant great white shark terrorizes a New England beach town, a local sheriff must team up with a marine biologist and a grizzled fisherman to hunt down and destroy the beast before it can claim any more lives.
I suppose, in simple terms, the aim of a logline is to summarise a compelling and developing conflict, it's genre and key characters.
I suppose, in simple terms, the aim of a logline is to summarise a compelling and developing conflict, it’s genre and key characters.
See lessWhen a giant great white shark terrorizes a New England beach town, a local sheriff must team up with a marine biologist and a grizzled fisherman to hunt down and destroy the beast before it can claim any more lives.
Loglines for action-adventure stories usually feature an active protagonist, but when it comes to thrillers the hero often starts out as a victim or in the case of neo-noir as an antihero. In both cases these characters are reacting to the antagonist who drives the plot. In these cases, the loglineRead more
Loglines for action-adventure stories usually feature an active protagonist, but when it comes to thrillers the hero often starts out as a victim or in the case of neo-noir as an antihero. In both cases these characters are reacting to the antagonist who drives the plot. In these cases, the logline gets a bit tricky.
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