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An? wheelchair-bound college girl must use her physical abilities and mental acumen to save her trapped friends from zombies who have surrounded their cottage.
It's an interesting point - I thought it would be but a reader who saw my screenplay said, even with the added feature of the friends plotting to kill the wheelchair girl, the hook wasn't good enough.... it's hard for me to tell what would have been a better hook... I really want to tell an empowermRead more
It’s an interesting point – I thought it would be but a reader who saw my screenplay said, even with the added feature of the friends plotting to kill the wheelchair girl, the hook wasn’t good enough…. it’s hard for me to tell what would have been a better hook… I really want to tell an empowerment plot-based horror flick because I haven’t seen that many produced lately…
See lessAn insecure wheelchair-bound college girl spends the weekend at a cottage with friends where they are attacked by zombies. They don’t know why until she discovers that the zombies were all murder victims of her friends – and she was next.
I agree about the active goal, but the main point of the movie is a disabled girl overcoming her physical disability and emotional insecurity to save her friends (and ultimately herself!) The zombies ending up as the "good guys" is collateral benefit.
I agree about the active goal, but the main point of the movie is a disabled girl overcoming her physical disability and emotional insecurity to save her friends (and ultimately herself!) The zombies ending up as the “good guys” is collateral benefit.
See lessA crisis manager gets recruited by the vigilante crew he idolizes to expose how the family business he is paid to protect sells memories.
Is the fact he is a crisis manager relevant, or does it in any way lead to a conflict or irony? If not, maybe you want to replace "crisis manager" with an description that can create a conflict with your storyline. Since you are talking about vigilantes, maybe you want to change it to "a district atRead more
Is the fact he is a crisis manager relevant, or does it in any way lead to a conflict or irony? If not, maybe you want to replace “crisis manager” with an description that can create a conflict with your storyline. Since you are talking about vigilantes, maybe you want to change it to “a district attorney,” or “retired cop turned security manager,” some title that visibly puts him in conflict with your story line…. just a thought!
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