There is a common misconception with regards to the function of loglines. We have identified 2 different types of loglines the first is a concept development and structuring tool in which case the word count is not strict but less is better. The second is a marketing/pitching tool in which case the word count is strict 30 words or under.

If your script is complete, well refined and polished to the point you feel comfortable handing it to the head of a studio then you would be best structuring a logline for marketing/pitching the story.

If you are either structuring the story or writing an early draft then you would probably gain more from developing a logline as a concept development and structure tool.

It is entirely up to you to decide at what stage of development your project is currently at. Please note, no body has asked you “…to do…” anything. We all want to help each other on our journeys as story tellers and we are merely providing you with our honest opinions to help you with your logline.

About the logline. Slaying the demons is the MC inner journey’s goal and in loglines best to describe only the outer journey. As Richiev said “…slaying metaphorical demons will not get people to read your script,” but, the outer goal and action the MC takes to achieve it, will.

This is why in a logline better to focus on the outer journey goal the obstacle and the antagonist not the inner journey. The way you bring the inner journey into the logline is with the MC description and flaw this informs the reader your character is multidimensional and will have to go on a journey of change this makes him or her an interesting character.

I’d also add that it would be an even more compelling story if the goal was more personal.

For example:
After his brother is lost at sea an alcoholic ship captain must re unit his crew and battle the elements to save his brother’s life.

Hope this helps.