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A young boy and his family teach a robot Santa the true meaning of Christmas.
The End
The End
See lessA self-centered, up-and-coming actor is about to have his once-in-a-lifetime ?big break? meeting with a control-freak star-director but his neurotic casual-girlfriend reveals that she?s pregnant, unplanned, certain he?s the father, potentially bringing everything he?s worked for crashing down, causing him to morally juggle his priorities.
The trouble I am seeing with this logline (Besides the length) is that there are actors who are fathers. The inciting incident is that the lead character unexpectedly discovers he will be a father, but that in-and-of-itself won't in any way hamper his career as an actor. (Beyond how it might hamperRead more
The trouble I am seeing with this logline (Besides the length) is that there are actors who are fathers. The inciting incident is that the lead character unexpectedly discovers he will be a father, but that in-and-of-itself won’t in any way hamper his career as an actor. (Beyond how it might hamper any career)
That doesn’t mean you can’t have this as a plot, It just means you have to show us in the logline how in this specific case becoming a father will hamper his career. Why is it, in this specific case it will be a detriment to the lead character’s career when in all other cases it is not?
See lessWhen an innocent prisoner becomes a criminal on his failed attempt to break out of jail, it’s upto his freed partner-in-crime to prove his innocence and take false blame during their jail break
This logline begins as if the innocent prisoner is the lead character Then halfway through, it switches to the partner-in-crime as the lead character Because a logline is so short, a logline should be told from one single perspective so the reader will absolutely know who the lead character is afterRead more
This logline begins as if the innocent prisoner is the lead character
Then halfway through, it switches to the partner-in-crime as the lead character
Because a logline is so short, a logline should be told from one single perspective so the reader will absolutely know who the lead character is after reading it.
See less