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When his dad threatens to cut him off financially, a bad boy rich kid must graduate his senior year at a strict prep school, only to fall for the principal’s daughter.
Perhaps the solution is to zero in on the relationship between student and teacher? I dunno. Any help anyone? DPG - I don’t quite agree with your solutions. But there’s clearly a problem I need to fix. Appreciate your help.
Perhaps the solution is to zero in on the relationship between student and teacher?
I dunno. Any help anyone?
DPG – I don’t quite agree with your solutions. But there’s clearly a problem I need to fix. Appreciate your help.
See lessWhen his dad threatens to cut him off financially, a bad boy rich kid must graduate his senior year at a strict prep school, only to fall for the principal’s daughter.
It’s the antagonist/shape shifter/mentor/principal who gives him that chance. I think it’s those two arcs that interest me. The love story too.
It’s the antagonist/shape shifter/mentor/principal who gives him that chance.
I think it’s those two arcs that interest me.
The love story too.
See lessWhen his dad threatens to cut him off financially, a bad boy rich kid must graduate his senior year at a strict prep school, only to fall for the principal’s daughter.
I don’t know what to push down on... Whether it’s stakes (perhaps dad threatens to cut him out permanently? I dunno.) Or obstacle? (I still think it’s innate.) The hook/twist - not every logline absolutely needs one. Certainly it helps though. I have a feeling I’ll probably write this and post the sRead more
I don’t know what to push down on…
Whether it’s stakes (perhaps dad threatens to cut him out permanently? I dunno.)
Or obstacle? (I still think it’s innate.)
The hook/twist – not every logline absolutely needs one. Certainly it helps though.
I have a feeling I’ll probably write this and post the second marketing logline later on. As you said – I’m strangely drawn to this concept.
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