Foxtrot25 is right.
You got 10 seconds, 15 max to grab and hold a logline reader's eyeballs. ?Movie makers are busy people with short attention spans and innumerable distractions (like smartphones that clamor for their attention 100 or more times a day). ?They aren't going to slog their way through 60 words.
Boiled down to its essence, ? the story is about a writer who must stop a friend from committing suicide. ?That's 10 words. ?The rest of the verbiage is embellishment.
And this story needs embellishment -- spicing up -- to make the "bland" ?story more appealing. ?But ?you don't have the luxury of piling on 50 extra words. ? That's an inconvenient truth, but a truth about how the business works.
As someone who has served on a hotline, struggled for hours to talk people out of suicide, I think there is powerful story lurking in your premise waiting to be told. ?But, for myself, I'm not hooked on this story.
But I want to be.
fwiw