Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
Mystical demi-gods cruelly rule the land until a young child with supernatural powers defeats them one by one.
I take it from reading the logline that the lead character is a young child. How young, 3 or 4 years old? Just curious.
I take it from reading the logline that the lead character is a young child.
See lessHow young, 3 or 4 years old? Just curious.
A headstrong and impulsive youth steals £230 million of mob funds and stays one step ahead of the top mob enforcer until he decides to donate it to a charitable cause.
"headstrong and impulsive youth" = protagonist "steals £230 million of mob funds" = inciting incident "donates it to a charitable cause" = inciting incident "stays one step ahead of the top mob enforcer" = main character goal Great logline. Has a heist film meets thriller feel to it. 'Impulsive charRead more
“headstrong and impulsive youth” = protagonist
“steals £230 million of mob funds” = inciting incident
“donates it to a charitable cause” = inciting incident
“stays one step ahead of the top mob enforcer” = main character goal
Great logline. Has a heist film meets thriller feel to it.
‘Impulsive character steals large sum of money from bad guys’ seems to indicate that the character arc might be from Impulsive -> through to -> Considered, as a main character trait transformation. In a strange way, donating a large sum of stolen money to a charitable cause, also seems (to me anyhow) a bit impulsive too. A Charity is best to accept ‘clean money’, and while donating has thoughtful and considered qualities, our said character hasn’t really thought things through.
How then might our unpredictable character find himself in a stop and think situation? And I guess the answer is when the bad guys catch him. Makes me think of ‘A Clockwork Orange (1971)’, where an overly confident character eventually finds himself in a torturous, and institutional situation. Wonder if this logline might benefit from more detail on the nature of the main character’s problem and its potential for transformation.
See lessIn a hotel bar on the main avenue of Naples, a famous psychoanalyst talks about his patients to his colleague, Giovanna, exposing human passions, virtues and weaknesses. Among them, Sergio and Julien stand out, whose intense love-hate relationship will affect the doctor to unsuspected extremes from which he will not get rid of easily.
To create dramatic conflict and forward movement, the doctor needs a strong goal or an obstacle.
To create dramatic conflict and forward movement, the doctor needs a strong goal or an obstacle.
See less