As it is now the logline reads more like a series of events in a typical soap - lots of melodrama very little stakes. Once he learns she cheated on him and took off with the money, why does he care about her? Let her go and move on I say, more so once he (somehow) discovers the kid isn't his. The dramatic impact is greater than the stake and therefore it comes across as melodrama not drama.
To solve this best you focus the logline, and subsequently the concept, on one goal - either he wants the wife back or the money or the kid. All the rest can be obstacles delegated to expansion in the synopsis.