An isolated young man, obsessed with the ’60s, accidentally invokes the ghost of a precocious young girl who was killed in the ’60s. As they work together to uncover the secret of her unsolved murder, the ghost’s awe at the modern world begins to show him that he’s living in the past.

This is an interesting idea for a movie. There does need to be an antagonist of some sort since the murder occurred so long ago. Someone standing in the way of them solving the case.

.He may be obsessed with the 60's but I fail to see how ?he would become obsessed with solving the murder. ?What's his personal motivation? Why MUST he solve now in the present tense of his own life, a murder that occurred in the 60's, probably (I assume) before he was born? ?What's at stake for him in his own life?

Also:??"the ghost's awe at the modern world begins to show him that he's living in the past" relates to a subjective issue and is something of a spoiler. ?Loglines are about objective?goals, not subjective issues. ?As a general rule, a loglines should not deal (explicitly) with the resolution of subjective issues and it should never give away a 2nd or 3rd Act Big Discovery or Big Reveal/Reversal relating to a subjective issue.

.He may be obsessed with the 60's but I fail to see how ?he would become obsessed with solving the murder. ?What's his personal motivation? Why MUST he solve now in the present tense of his own life, a murder that occurred in the 60's, probably (I assume) before he was born? ?What's at stake for him in his own life?

Also:??"the ghost's awe at the modern world begins to show him that he's living in the past" relates to a subjective issue and is something of a spoiler. ?Loglines are about objective?goals, not subjective issues. ?As a general rule, a loglines should not deal (explicitly) with the resolution of subjective issues and it should never give away a 2nd or 3rd Act Big Discovery or Big Reveal/Reversal relating to a subjective issue.