When a flippant prankster is ripped off by crazy scammer he seeks compensation but inadvertently starts a relationship with the scammer’s even crazier assistant.
Categories: Thriller
12 reviews
As DPG said, it's a dangerous proposition, for un produced writers,?to steer away from the path of convention and 2 goals in the one script is doing just that.
Secondly, a femme fatal is an arch type unique to the film noir genre, literally?including such a description in the logline is not recommended.
A change in objective goals would mean the story has two distinct plots. ? The rule of one plot per story or episode (in a series) is not an arbitrary one. ?It exists for sound aesthetic and commercial reasons. ?You violate it at your concept's peril. ?For as sure as the sun rises, you increase the odds, which are already stacked against against you, ?that your script will be rejected. ?You're handing script readers an easy excuse to give a "pass" on their coverage.
Just saying.
What is your story really, really?about? ?What most intrigues you about this concept? ?What do you think would most intrigue an audience? ?Stealing the opals or the relationship with the femme fatale? ?Whatever your answer is, frame one plot accordingly.
A change in objective goals would mean the story has two distinct plots. ? The rule of one plot per story or episode (in a series) is not an arbitrary one. ?It exists for sound aesthetic and commercial reasons. ?You violate it at your concept's peril. ?For as sure as the sun rises, you increase the odds, which are already stacked against against you, ?that your script will be rejected. ?You're handing script readers an easy excuse to give a "pass" on their coverage.
Just saying.
What is your story really, really?about? ?What most intrigues you about this concept? ?What do you think would most intrigue an audience? ?Stealing the opals or the relationship with the femme fatale? ?Whatever your answer is, frame one plot accordingly.