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An audience may sympathize with the teacher's dramatic problem, but I doubt they will sympathize with his solution, kidnapping an innocent person for ransom, victimizing one of his own students. So the protagonist is, in effect, an anti-hero.? Anti-hero stories are? difficult to pull off.? Vince GilRead more
An audience may sympathize with the teacher’s dramatic problem, but I doubt they will sympathize with his solution, kidnapping an innocent person for ransom, victimizing one of his own students.
So the protagonist is, in effect, an anti-hero.? Anti-hero stories are? difficult to pull off.? Vince Gilligan did it quite effectively in? “Breaking Bad”.? I would suggest studying that series, particularly the pilot episode, for how he pulled it off.
fwiw
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I concur with Nir Shelter on the issue of significant stakes that would emotionally invest an audience in the outcome.Also: >>>this is a Hollywood insider story and most producers hate/avoid reading these kinds of scripts.Particularly from outsiders.? It takes an insider to know what it's lRead more
I concur with Nir Shelter on the issue of significant stakes that would emotionally invest an audience in the outcome.
Also:
>>>this is a Hollywood insider story and most producers hate/avoid reading these kinds of scripts.
Particularly from outsiders.? It takes an insider to know what it’s like to be an insider.
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>>>?managing the linearity of his continuum Huh?? What does that mean? Film is a visual medium.? Therefore, it's imperative that a logline? should describe a plot that can be visualized in the mind's eye of the reader.? Even if only as a sketch. I, for one, am unable to form even a sketchyRead more
>>>?managing the linearity of his continuum
Huh?? What does that mean?
Film is a visual medium.? Therefore, it’s imperative that a logline? should describe a plot that can be visualized in the mind’s eye of the reader.? Even if only as a sketch.
I, for one, am unable to form even a sketchy visual for? “managing the linearity of his continuum”.
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