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Following the suicide of a young female veteran, a battle hardened Special Operations soldier must fight to survive his own “silent war” on the homefront.
A topical subject.I suggest the logline would be more effective it if establishes a strong cause and effect between her death and his own suicidal ideation.? Specifically, what is? special about the relationship between the two vets, the emotional connection, that causes her suicide to trigger his iRead more
A topical subject.
I suggest the logline would be more effective it if establishes a strong cause and effect between her death and his own suicidal ideation.? Specifically, what is? special about the relationship between the two vets, the emotional connection, that causes her suicide to trigger his ideation,? that pushes him to the edge of the abyss himself.
See lessA young man accepts the body switch offered from a cult member in order to start a run away from his pregnant girlfriend and start a new life. Little did he knows that the new body requires constant supplies of human hearts. Meanwhile, his old body replaced him at home as cult members have their own plans with his girlfriend.
First KISS: keep it simple screenwriter.? Start with the basic plot elements explained under the formula section.
First KISS: keep it simple screenwriter.? Start with the basic plot elements explained under the formula section.
See lessWhen dark and disturbing children’s drawings come alive. Its creator, a little girl distressed and insecure, must face and erase these drawings from her life before they control her forever.
As mrliteral said. It's not clear what is supposed to happen. "Overcome the feelings" -- feelings refer to a subjective story thread but a logline focuses on the objective story line.? And feelings are invisible; they can't be seen.? What's the visual for "overcome feelings"? Also, every element ofRead more
As mrliteral said. It’s not clear what is supposed to happen.
“Overcome the feelings” — feelings refer to a subjective story thread but a logline focuses on the objective story line.? And feelings are invisible; they can’t be seen.? What’s the visual for “overcome feelings”?
Also, every element of a logline should refer to something that can be visualized? (or at least heard); that is, a person, place, action, event or dialogue.
Given the situation, given her feelings, what must she do?? What becomes her course of action, her objective goal?
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