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In New Orleans, the eccentric owner of a floating casino plays both sides of the law– providing law enforcement with sensitive information while systematically eliminating threats to his growing criminal enterprise.
The logline sets up more of a situation than a plot. As a result of playing both sides, what specific dramatic problem arises? Who is the antagonist that creates the dramatic problem, who threatens the protagonist? What must the protagonist do about it?
The logline sets up more of a situation than a plot.
As a result of playing both sides, what specific dramatic problem arises? Who is the antagonist that creates the dramatic problem, who threatens the protagonist? What must the protagonist do about it?
See lessA childless woman gets a "wrong number" call from a kidnapper who has her son. She must trying and rescue the child before the kidnappers carry out their threats.
Still confusing.
Still confusing.
See lessA childless woman gets a "wrong number" call from a kidnapper who has her son. She must trying and rescue the child before the kidnappers carry out their threats.
She's childless but kidnappers have her son???
She’s childless but kidnappers have her son???
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