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(TV) Dangerous Exploits follows a young man's journey from a womanizer to a brilliant sociopathic manipulator, starting with his graduate studies of psychology at Arizona State University.
>>but you?re on his side. Are we? Why should we be? Give us a good reason. Which, I admit is difficult to do given the constraints of a logline. What is there about your sociopath that will engage our interest, perchance sympathy, even as we don't like how he operates?
>>but you?re on his side.
Are we? Why should we be? Give us a good reason. Which, I admit is difficult to do given the constraints of a logline. What is there about your sociopath that will engage our interest, perchance sympathy, even as we don’t like how he operates?
See lessHigh school senior Koa Cohen's battle with ritualistic OCD is replaced by a condition in which he cannot distinguish between his unsettling day dreams and reality.
So what is his objective goal after his obsessive observance of rituals fails to save his mother (his previous objective goal)?
So what is his objective goal after his obsessive observance of rituals fails to save his mother (his previous objective goal)?
See lessAfter being lost at sea in the Bermuda Triangle and then finding themselves in an otherworldly gallery of paintings that become portals to strange worlds and other dimensions, will an unlikely group of teen misfits be able to band together long enough to find the door that leads them home, or will the sinister evil that brought them to this new reality keep them entrapped there forever?
It's fairly SOP that a logline should focus on one character as the protagonist. Ensemble stories where no one character stands out as 'first among equals' are the rarity, not the rule. As it seems to be a situation-driven story rather than a character-driven story, why have you devised this situatiRead more
It’s fairly SOP that a logline should focus on one character as the protagonist. Ensemble stories where no one character stands out as ‘first among equals’ are the rarity, not the rule.
As it seems to be a situation-driven story rather than a character-driven story, why have you devised this situation, tossing misfit teens into a portal in the Bermuda triangle? What’s the theme, the point, the itch you are trying to scratch? My question lies somewhat outside the scope of what you might put into the logline, but I ask it in order to get a better handle on the concept, a sense of WHY you want to tell this particular story.
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