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“The Wedding Killer” In small town of Delaware The young police officer investigating , a case of murder in brides one day before their wedding day
I think it's an interesting situation? for a whodunnit.But the logline needs to be formulated in terms of a plot.? It is not sufficient to just throw down the initial situation.?So what is the plot? (For example, could he be engaged to be married which would raise the personal stakes and urgency forRead more
I think it’s an interesting situation? for a whodunnit.
But the logline needs to be formulated in terms of a plot.? It is not sufficient to just throw down the initial situation.?
So what is the plot? (For example, could he be engaged to be married which would raise the personal stakes and urgency for him to solve the case as his wedding day approaches?)
See lessHe lost his winning 300 grand ticket in a gust of wind then later finds it in a man’s cold dead fingers.
The logline sets up a situation for a plot, but it doesn't actually deliver a plot.? ?In what way is this event an inciting incident?? What is the protagonist's objective goal?? Who/what stands in the way?
The logline sets up a situation for a plot, but it doesn’t actually deliver a plot.? ?In what way is this event an inciting incident?? What is the protagonist’s objective goal?? Who/what stands in the way?
See lesspossible fiction-thriller “the quarry” (MITH)
>>>3) the Sin: __________(that?s where I am confused)Implicit in Blake Snyder's description of the MITH trope is the notion that the monster fulfills the classic role of Nemesis, the retributive, pay back character/force/entity? for some original sin by the protagonist and/or? group to whicRead more
>>>3) the Sin: __________(that?s where I am confused)
Implicit in Blake Snyder’s description of the MITH trope is the notion that the monster fulfills the classic role of Nemesis, the retributive, pay back character/force/entity? for some original sin by the protagonist and/or? group to which he? is associated.? IOW, the manifestation of the? MITH in the plot is causal, not coincidental.? The cause lies in the backstory which the protagonist must eventually discover and deal with in order to defeat the MITH.
Take the case of two of the very best MITH films: “Alien” and “Aliens”.? In both cases, the original sin is the Big Bad Corporation ‘s profit motive.? The willingness to intentionally put the lives of the protagonist (and crew) in jeopardy in order to? cash in on the Alien’s military potential, it’s unique offensive and defensive attributes.
And in both movies, that’s the Big Discovery for Ripley, the moment when she realizes she’s being “fucked over for a goddamm percentage” of the profits.
fwiw
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