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When an explorer’s ancient necklace is stolen, she must retrieve it before it is used for evil.
Who is "she"? Give us more information about your protagonist. You haven't specified that the necklace is magical in any way... maybe confirm this just to dispel any doubts and give us more specifics about how it is actually going to be used for evil. This way, we understand what's at stake.
Who is “she”? Give us more information about your protagonist.
You haven’t specified that the necklace is magical in any way… maybe confirm this just to dispel any doubts and give us more specifics about how it is actually going to be used for evil. This way, we understand what’s at stake.
See lessA young medium is tasked with cleansing an old mansion but the spirits would kill to protect their dark secrets.
A logline ideally should be under 35 words but it?s simply a guideline to make you think hard about what elements are essential to understanding your story. The fact your protagonist is a con artist is a huge story point because that immediately changes everything. So the question now is who is sheRead more
A logline ideally should be under 35 words but it?s simply a guideline to make you think hard about what elements are essential to understanding your story. The fact your protagonist is a con artist is a huge story point because that immediately changes everything. So the question now is who is she conning and why? The answers to all of these questions don?t have to be in the logline but we ask them so you consider whether it should be.
See lessA young medium is tasked with cleansing an old mansion but the spirits would kill to protect their dark secrets.
I feel like there needs to be more here to sustain a 90min+ runtime (unless it's a short of course). I think there needs to be a midpoint where he discovers the dark secret then he spends the remainder trying to escape or something. It's still a little thin though. If the discovery of the secret isRead more
I feel like there needs to be more here to sustain a 90min+ runtime (unless it’s a short of course). I think there needs to be a midpoint where he discovers the dark secret then he spends the remainder trying to escape or something. It’s still a little thin though. If the discovery of the secret is the climax of act I then I think the logline should include what this secret is. If it happens later then perhaps not.
What else can you tell us about the medium? What’s their character flaw? Their arc? Does the story change if it’s an old medium?
Why this medium? Is there any kind of connection between this house, the spirits, and the medium?