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A Lieutenant in a drug gang, misreads a situation killing his boss. This sparks an internal war eventually leading to the destruction of his gang, his death and the loss of their terroritary.
Have you considered changing the concept slightly? What if another lieutenant kills the boss, and he stands to take the blame. This way, his vie for power could become a means of survival rather than a murderous rampage for the sake of it.
Have you considered changing the concept slightly? What if another lieutenant kills the boss, and he stands to take the blame. This way, his vie for power could become a means of survival rather than a murderous rampage for the sake of it.
See lessA talented lonely man falls in love with his soulmate but everyday fighting brings out her past and his imaginary future.
Your explanations of the plot aren't describing the specifics a logline needs. In short, all you need to know if a story has the fundamental components to function well are a main character (man), an inciting event (missing), and a goal (also missing). Man (even a talented and lonely one) is a vagueRead more
Your explanations of the plot aren’t describing the specifics a logline needs. In short, all you need to know if a story has the fundamental components to function well are a main character (man), an inciting event (missing), and a goal (also missing).
Man (even a talented and lonely one) is a vague description of a character. Firstly, “…man…” describes half the human race. Secondly, “…talented…” means nothing unless we know what he is talented in and how this will affect his story (see, for example, David Helfgot’s biopic).? And “…lonely…” describes most people and more so nowadays.
What goal MUST he achieve? And why?
See lessAfter mythology’s most vicious monsters and history’s most heinous criminals escape from hell, a neurotic college-sophomore finds herself imbued with the power to send these evildoers back from whence they came.
What does she do about it? In a logline, it's always best to describe what a character does rather than what they're capable of.
What does she do about it?
In a logline, it’s always best to describe what a character does rather than what they’re capable of.
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