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A screen-obsessed 11-year-old gets trapped inside the dusty book left to him by his Grandfather where he must learn to visualise the fairytale world around him, play through the story, and imagine his way to the very last page.
This is a great premise, a boy who hates reading becomes stuck inside a magical book, and must finish the book to escape.
This is a great premise, a boy who hates reading becomes stuck inside a magical book, and must finish the book to escape.
See lessTo validate her self-worth, a cunning catfisher help victims reclaim their digital lives by revealing the truth and exposing the perpetrators.
I agree with variable, "To validate her self worth..." isn't very compelling, nor does it answer the 'why now' question. If your character is going to change her entire life, then the reason she changes her entire life should be just as big and compelling. In fact, I would just drop the line altogetRead more
I agree with variable,
“To validate her self worth…” isn’t very compelling, nor does it answer the ‘why now’ question.
If your character is going to change her entire life, then the reason she changes her entire life should be just as big and compelling.
In fact, I would just drop the line altogether
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1: “A reformed catfisher uses her skills to help victims get justice by exposing the perpetrators.”
2: Then add what happened to the lead that caused her change of heart, going from someone who exploited people to someone who now helps people.
When an illegal immigrant kills her sister, a misunderstood witch must stop the culprit from escaping back to her own land without paying for her crime.
Thanks, this is actually a practice (Example) logline I revised for 'The Wizard of Oz'. I wrote it from the perspective of the 'Wicked Witch of the West', as a challenge.
Thanks, this is actually a practice (Example) logline I revised for ‘The Wizard of Oz’. I wrote it from the perspective of the ‘Wicked Witch of the West’, as a challenge.
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