Have an account? Sign In Now
Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
A woman comes home to finds a wounded fugitive in her house. His partner has taken her daughter. The woman must help the man get medical attention and escape if she ever wants to see her daughter again.
You are right, I not think about that.
You are right, I not think about that.
See lessA woman comes home to finds a wounded fugitive in her house. His partner has taken her daughter. The woman must help the man get medical attention and escape if she ever wants to see her daughter again.
I like where this story is going but I do not see the standard b story; the love interest. Why not make her slowwwwly fall in love with the fugitive, who then at in the beginning of the third act f?. her over?
I like where this story is going but I do not see the standard b story; the love interest. Why not make her slowwwwly fall in love with the fugitive, who then at in the beginning of the third act f?. her over?
See lessBased on true events. ?When a decorated Luftwaffe officer and his family on holiday accidently end up in Nazi death camp Treblinka, they must convince the cruel camp commandant to spare their lives.”
End of discussion? I get what you say about "it's my story'" And you are right Nir, it's (also) "a matter of taste and on taste there can be no debate". But I don't want to make a semi-copy of "Escape from Sobibor" Even if the escape is lead by the German Luftwaffe officer who part of the escape comRead more
End of discussion? I get what you say about “it’s my story'” And you are right Nir, it’s (also) “a matter of taste and on taste there can be no debate”. But I don’t want to make a semi-copy of “Escape from Sobibor” Even if the escape is lead by the German Luftwaffe officer who part of the escape committee don’t really trust.
But maybe the question here is “how” do we define dramatic plot? Does a compelling inner journey of the leading characters keep the audience attention or must there be bombs falling? Does the audience, in this genre, EXPECT bombs to be falling? Look at a movie in the same genre: “The Boy in the Striped Pajamas (2008)…. I think I have to find ways to beef up the conflict without the physical action.
See less