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A materialistic sell-sword is sent to discover what had stopped the flow of magic that runs the city, but when he learns that the source of the power is the harvested souls of his race, he fights the king to liberate his people.
I'd stick with the second goal. For example, in E.T., Elliot has two goals, "keep my pet alien", then it switches to, "get E.T. home." But generally, it's the "phone home" goal that gets mentioned.
I’d stick with the second goal. For example, in E.T., Elliot has two goals, “keep my pet alien”, then it switches to, “get E.T. home.” But generally, it’s the “phone home” goal that gets mentioned.
See lessWhen Daniel, a devout christian starts having frequent nightmares, he must locate and destroy a cherished family heirloom buried by his drunken father in a remote village or he loses his sanity
I agree with what's been said before about the logline. And, as nicholasandrewhalls mentioned, I think the title isn't helping. For me, it makes me think of either Spike Lee's film or that 70s song.
I agree with what’s been said before about the logline.
And, as nicholasandrewhalls mentioned, I think the title isn’t helping. For me, it makes me think of either Spike Lee’s film or that 70s song.
See lessIn the Soviet Union in 1937, a worker of the People?s Commissariat for Internal Affairs finds a list of traitors, which he thinks is going to be his way out.
I like it. It feels like a good setup, but not much for. Everything in your logline can be done in just the first scene. For instance, switch the USSR for Morocco, the "worker" for Peter Lorrie and the "list of traitors" for "letters of transit." We have an excellent setup for Casablanca, but it doeRead more
I like it. It feels like a good setup, but not much for. Everything in your logline can be done in just the first scene.
For instance, switch the USSR for Morocco, the “worker” for Peter Lorrie and the “list of traitors” for “letters of transit.” We have an excellent setup for Casablanca, but it doesn’t really touch what the story is really about.
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