Sally Mitchell, after having a drunken one night stand with Chris Rogers, finds herself pregnant with twins. Sally and Chris move in together, , forcing their best friends and housemates Dean Smith and Melissa Pearce to do the same, resulting in four twenty somethings having to grow up faster than they wanted to.

BTW this may very well be a great story, but the logline itself spends way too much time telling us the set-up to the story but then tells us nothing about what the lead character's goal is, now that this event has happened, what must the lead character actually do.

I agree with the statements above,

This is a situation, not a story. The story would be what they do about it.

The logline sets up a complicated situation, but doesn't give anyone an objective goal ?to string up ?a throughline for the plot. ?"Having to grow up faster" does not qualify as an objective goal. ?It's too general and pertains to subjective issues ?rather than objective ones. ?Film is a visual medium; the objective goal has to be something ?a concrete object or event that clearly -- visually ?-- signals to the audience that the character has succeeded (or failed). ?What's the visual for "grow up faster" ?

And it tosses together 4 characters -- who is the lead, the protagonist? ?Or is this supposed to be an ensemble piece of co-equal characters and intertwining plot threads?