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  1. Posted: December 29, 2017In: Drama

    possible rites of passage “the masterpiece”

    Best Answer
    variable Uberwriter
    Added an answer on December 30, 2017 at 3:21 am

    just like "hayao miyazaki" this is his final film he cannot afford to regret he never made what he really wanted to All his life he made films for the audience but now when he tries to make one for his inner peace, he is in direct conflict with his only kindred spirit (trying to sabotage his projectRead more

    just like “hayao miyazaki” this is his final film
    he cannot afford to regret he never made what he really wanted to

    All his life he made films for the audience but now when he tries to make one for his inner peace, he is in direct conflict with his only kindred spirit (trying to sabotage his project critiquing painful true details)
    when he discovers this, he chooses his film over his friend (excruciatingly painful for him which he suffers throughout this journey)

    Therefore “a course dramatic action that results from the rupture” would be him making his film regardless and discovering the painful truth, that he lived a life full of lies..

    so they sip coffee as the sun sets,
    an event proof that there is no bigger truth than a kindred spirit, not even your masterpiece..

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  2. Posted: December 29, 2017In: SciFi

    Multiple Reality Disorder

    variable Uberwriter
    Added an answer on December 30, 2017 at 2:38 am

    you must drop how he happens to access parallel universes in your logline because it's irrelevant to the plot. Also, if all the other realities are destroyed except the one in which the time machine was wasted, then it means all the other realities would try to: 1. hinder the protag from destroyingRead more

    you must drop how he happens to access parallel universes in your logline because it’s irrelevant to the plot.

    Also, if all the other realities are destroyed except the one in which the time machine was wasted, then it means all the other realities would try to:
    1. hinder the protag from destroying the time machine in his reality &
    2. destroy the time machine in their own reality before the protag stops them
    It makes for a really gargantuan goal!
    The protag becomes a direct target of all the other alternate identities, while stopping them from destroying the time machine in their own reality and face death
    If you suggest, it is only one corrupt identity which needs to be dealt with, then why should the other identities support you and face death for themselves..

    the only real solution is if the protag and all the alternate identities conspire to kill the corrupt identity
    bit that still doesn’t stop the retconning, does it
    and if the retconning were to stop, only one identity would exist..
    ..which also means that all the rest die
    how to decide which one lives when for everyone their realities is as real as it gets?
    If the protag does kill all alternate realities to save his own skin, he becomes a character which loses my empathy..

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  3. Posted: December 29, 2017In: SciFi

    Multiple Reality Disorder

    variable Uberwriter
    Added an answer on December 30, 2017 at 2:15 am

    this is how far I got "the victim of retconning history must destroy the responsible time machine in his own timeline before one of his alternate personalities does in its own, rendering his continuum of existence dead"

    this is how far I got
    “the victim of retconning history must destroy the responsible time machine in his own timeline before one of his alternate personalities does in its own, rendering his continuum of existence dead”

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