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A lawsuit for his wife?s injury offers a homeless group leader a ticket out? until a member of his flock threatens to testify. Now he must resort to extreme measure to stop him.
Actually, not to attack the other reviewers, but that mentality is why studios consider "normal" movies to be a movie that has lead of a straight, white male. They figure that they don't want that audience to be deterred from seeing a film just because a woman, or Asian person is the lead, differentRead more
Actually, not to attack the other reviewers, but that mentality is why studios consider “normal” movies to be a movie that has lead of a straight, white male. They figure that they don’t want that audience to be deterred from seeing a film just because a woman, or Asian person is the lead, different from the “normal” moviegoer or “normal” American.
See lessPersonally, I think the homeless angle would be refreshing and more interesting. It’s quite possible these people have nothing but the clothes on their backs, and possibly, each other, depending on the story. But now, whatever petty differences they may have, they are forced to deal with them in order to survive.
>”?That would feel like a story ripe with social commentary and interesting ideas. ?And I could easily buy that regular people could be trapped at a train station.” One misconception about homeless people is that they aren’t “regular” as you say. But really there are?homeless people are people that have steady jobs but lost their homes, for whatever reason. A story highlighting homeless people is ripe for social commentary that isn’t normally depicted in film, such as the attitude people have toward homeless people, seeing themselves as being better than them, and plenty of other topics. I read an article recently about a homeless woman who was raped and when she went to the police they told her something along the lines of, “That’s why they made houses, to prevent rape.” Which is ridiculous because a lot of people are raped by people they know and trust, meaning someone they would let into their home.
The ensemble cast also allows for a diverse cast., with each person getting the spotlight.
Like I said, I didn’t mean to attack DylanK or Zentaneous, Your perspectives just sparked a discussion for me.
A lawsuit for his wife?s injury offers a homeless group leader a ticket out? until a member of his flock threatens to testify. Now he must resort to extreme measure to stop him.
Personally, I don't think the homeless people angle is really a hindrance, but also, I don't really think it's important to mention in the logline. You don't sketch a clear plot, though. Suggestion: When five are trapped in a train station... Then just insert a plot there, such as "they must put asiRead more
Personally, I don’t think the homeless people angle is really a hindrance, but also, I don’t really think it’s important to mention in the logline. You don’t sketch a clear plot, though.
See lessSuggestion: When five are trapped in a train station…
Then just insert a plot there, such as “they must put aside their differences in order to escape the gunman holding them hostage.” Or some such. Just give the characters a clear goal.
Inflicted with PTSD from a young age, a mute street performer is abandoned by his troupe as France becomes occupied by the Nazi Wehrmacht. Faced with the choice to escape to neutral Switzerland or fight, he joins the French Resistance as a code-breaker and infiltrates the Nazi regime. His tactics shift when he learns what?s happening to the countless civilians going missing.
Honestly, to me the PTSD angle adds nothing to the logline. You don't connect it to the plot. If his PTSD put him into a situation where he had to overcome it for the plot to advance, then it would work, but as of now it adds nothing but more words to the logline. The same thing goes for him being aRead more
Honestly, to me the PTSD angle adds nothing to the logline. You don’t connect it to the plot. If his PTSD put him into a situation where he had to overcome it for the plot to advance, then it would work, but as of now it adds nothing but more words to the logline. The same thing goes for him being abandoned, that is only his background.
See lessThe only parts important to the logline is in the second half of your version. You don’t set up an actual plot, though. The logline should depict what this character does in response to learning about the missing civilians, and his goal that drives him.
Suggestion(making up my own plot for this purpose): When a mass number of civilians go missing, a code-breaker must infiltrate the Nazi regime to gather information about their whereabouts. (~22 words)
This was the best I could come up with, it lacks a reason for him having to infiltrate, but my example serves the purpose well enough. ?This example has an inciting incident(civilians missing), and the MC’s response to that(infiltration), and then his goal(find them).