Dramatic plots are artificial constructs. As Aristotle observed in his classic treatise, “The Poetics”, the plot is (only) an imitation of (real life) action. Which is why films are “based upon” or “inspired by” by real life stories. Events (and characters) must be sliced and diced to fit into the Procrustean bed of the dramatic form.

Apparently your story is about a couple whose objective goal is to become sex coaches. The story suggests the prospect of lot of fair amount of sex. But there’s a surfeit of that on the Internet already, a lot of it free for the looking. How can your story, even though true, possibly compete for attention (and sales) on the basis of sex alone?

What your story really needs to deliver is a story line with dramatic (vs. libidinous) tension, conflict, and suspense. That’s what the logline should focus on.