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Responsible for the death of his son, a father tries to explain his actions leading up to the tragedy before taking his own life.
Suggestion: why not have him explaining himself on a suicide hotline call? This gives you a dialogue rather than a monologue and an "antagonist", a hotline volunteer whose goal opposes his. Further, hotline personnel are trained to explore and reflect -- not discount, not critique -- their feelings,Read more
Suggestion: why not have him explaining himself on a suicide hotline call?
This gives you a dialogue rather than a monologue and an “antagonist”, a hotline volunteer whose goal opposes his. Further, hotline personnel are trained to explore and reflect — not discount, not critique — their feelings, their emotional pain.
See lessResponsible for the death of his son, a father tries to explain his actions leading up to the tragedy before taking his own life.
Explain to who? And wouldn't they be "antagonists" in the sense of trying to oppose his objective goal, talk him out of suicide? Is this a short? Or a full length feature?
Explain to who? And wouldn’t they be “antagonists” in the sense of trying to oppose his objective goal, talk him out of suicide?
Is this a short? Or a full length feature?
See lessResponsible for the death of his son, a father tries to explain his actions leading up to the tragedy before taking his own life.
Explain to who? And wouldn't they be "antagonists" in the sense of trying to oppose his objective goal, talk him out of suicide? Is this a short? Or a full length feature?
Explain to who? And wouldn’t they be “antagonists” in the sense of trying to oppose his objective goal, talk him out of suicide?
Is this a short? Or a full length feature?
See less