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A fighter pilot wakes in an isolation ward, suffering memory loss from an experiment she supposedly signed up for. She and the other patients are told they can leave as soon as their memories return, but when people start disappearing or ending up dead, they suspect something more sinister is going on.
I don't know if your a usual reader of this website but I read many 'amnesia movie' loglines here. The difference is mostly the place where the main character wakes up (often a 'mysterious' room). As a reader I must say that this loglline seems to vague to me. I would suggest you to build your movieRead more
I don’t know if your a usual reader of this website but I read many ‘amnesia movie’ loglines here. The difference is mostly the place where the main character wakes up (often a ‘mysterious’ room). As a reader I must say that this loglline seems to vague to me. I would suggest you to build your movie from the end (do not spoil the end in the logline, but be sure to have a mind blowing ending at hand before writing the logline). This could help you to disseminate some clues in the logline that could attract the reader’s attention ad make the concept clear and original.
See lessInflicted with PTSD from a young age, a mute street performer is abandoned by his troupe as France becomes occupied by the Nazi Wehrmacht. Faced with the choice to escape to neutral Switzerland or fight, he joins the French Resistance as a code-breaker and infiltrates the Nazi regime. His tactics shift when he learns what?s happening to the countless civilians going missing.
Hello, the story world and the main character are interesting but the logline fails to track a strong plot. As a reader I personally feel more confused than anything else. I would recommend to focus only on the very main elements (main character, inciting incident, goal, source of conflict. I thinkRead more
Hello,
See lessthe story world and the main character are interesting but the logline fails to track a strong plot. As a reader I personally feel more confused than anything else. I would recommend to focus only on the very main elements (main character, inciting incident, goal, source of conflict.
I think that you have many ideas about what there will be in the movie, this is good but it doesn’t help you to write a strong clear logline. I would suggest to write down a page (or some pages) to free your mind of all ideas, then dig into your text to extract the very main elements.
A time-traveling hitman wakes up in his next hit anytime he sleeps. When he learns of a remedy that cures fatigue, he betrays the mob in search of their mad-scientist’s invention.
Hit man + time travel ?has been done in Looper. There's room for more movies in the same genre but this logline is not clear enough... the logic behind the plot is hard to get for me. I know how hard it is to write a logline for complex scifi movies, just be sure to be straight and logic.
Hit man + time travel ?has been done in Looper. There’s room for more movies in the same genre but this logline is not clear enough… the logic behind the plot is hard to get for me. I know how hard it is to write a logline for complex scifi movies, just be sure to be straight and logic.
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