Have an account? Sign In Now
Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
A career tramp turned conman has to save his loot and prison-time when his ex-wife comes undercover to help IRS nab him
How does one save his "prison-time" You can avoid prison time or serve it. A better angle may be to focus on the ex-wife having to catch and expose the ex-husband.
How does one save his “prison-time”
You can avoid prison time or serve it.
A better angle may be to focus on the ex-wife having to catch and expose the ex-husband.
See lessWhen an irresponsible party girl’s father is framed by the mob, leaving her with an estranged 11-year-old to raise, she must fool social services to keep the child and outwit the mob to get her father out of prison.
An party girl must raise a young child while convincing the mob to break her father break out of prison.
An party girl must raise a young child while convincing the mob to break her father break out of prison.
See lessWhen an irresponsible party girl’s father is framed by the mob, leaving her with an estranged 11-year-old to raise, she must fool social services to keep the child and outwit the mob to get her father out of prison.
Good review, DK. Just to add, I think that people (myself included) feel that we must over inform about the story. An interesting party, in most of our cases -- a producer with the power to purchase, reads our loglines to see if we are even in the genre they are looking for... and they are all veryRead more
Good review, DK. Just to add, I think that people (myself included) feel that we must over inform about the story. An interesting party, in most of our cases — a producer with the power to purchase, reads our loglines to see if we are even in the genre they are looking for… and they are all very busy people with hundreds of stories to consider.
So why then do we try to make our story appeal to everyone even if it does not? In reality, we don’t want our say horror script in the hands of Spielberg — he doesn’t make those. It’s a waste of time.
My limited experience hooking has so far led me to believe that our premise had better be razor sharp at communicating our story. If it isn’t, interesting parties won’t even click on it to get to the next part — elevator hook/synopsis/actual script. And that’s what we want them to do.
See less